'I think therefore I am.'  Descartes            'I AM THAT I AM.'  Exodus.3.        'I am what I am.'  La Cage aux Folles

Showing posts with label Greece. Show all posts
Showing posts with label Greece. Show all posts

10 September 2015

Medea

10th June 2015
La Boite
Great theatre just never ceases in Brisbane. Last night I had the great pleasure of seeing one of our most outstanding actors Christen O'Leary giving her powerful all as the tragic Medea. Driven to murder as she is cornered by the immature machinations of the not terribly heroic Jason, she is for me, always a character more pitied than scorned for the horrors she enacts. 

Does she have a choice when all is lost. Jealousy certainly leads to the death of Glauce, but who's fault is it that this abandoned woman sacrifices the children. In this production I felt all fingers point to Jason. Anyway Christen is phenomenal as she always is and this year I see her twice more in 'The Seagull' being re worked by the amazing Daniel Evans and then in the musical 'Ladies in Black' music by Tim Finn.
 I just loved the wax dripped set and the enormous Candelabra centre stage which for me harked to the tree on which the Golden Fleece had hung and which was the central cause of all this misery. This was further emphasised for me when the nurse climbed into the tree to model the glittery cloak soon to be infused with poison. 
One great stroke of genius was the addition of a commenting Chorus of brilliant singing voices. After the show I was able to shake hands with Annika Hinrichs whom I had just recently seen and heard her strong beautiful voice in the Con production of 'The Coronation of Poppea' and I also had a brief chat with young brilliant baritone and composer Connor D'Netto. Connor by the way just won the  7th Melbourne International Chamber Music Competition. I just loved the music for Medea composed by Gordon Hamilton. Looking through the credits I found the lighting done by the always perfect Ben Hughes and there was costume maker Leigh Alexander Buchanan. Leaving the theatre another surprise thrill was a chat with the other two stars Helen Christinson and Damien Cassidy who played Glauce/Nurse and Jason respectively as well as the lovely Mark Sheppard who introduced the Q&A. One day I will actually be able to congratulate Christen in person. Always something to look forward to.

 A little more on Medea productions I have seen.
one With Dame Diana Rigg London 1993.
also Medea - Euripides of Sorts
Wednesday 30th October 2014 Judith Wright Centre
Students of ACPA - The Aboriginal Centre For The Performing Arts. 
That is a friend Tibian Christopha Wyles who has moved on to almost full time acting career with two extensive National tours and other works since graduating.

There arew also the Lars Von Trier film, the Pasolini film with Maria Callas, the Opera witrh Callas and a modern opera with Max Cencic all in my collection

03 September 2015

Oedipus & Love by Daniel Evans

'Oedipus Doesn't Live Here Anymore'
5 June 2015
Bille Brown Studio
Qld Theatre Company
Firstly in the programme The Premier welcomes 'Oedipus Doesn't Live Here Anymore' by playwright Daniel Evans, winner of the 2014-15 Queensland Premier's Drama Award, the only one of it's kind in Australia. Daniel also wrote 'I Want To Know What Love is in which the title of a small story I submitted was mentioned much to my excitement and I have included that below. Daniel is quite brilliant and has adapted Checkov's The Seagull which is currently having a star actors run at the moment.

The lights dimmed and we embarked on a fast paced ride through the Oedipus plays, Antigone, Oedipus The King, and Oedipus at Colonus, all condensed and told through the eyes of the multiple characters, children, neighbours, school mates etc hanging around the backyards of Brisbane although it is never named specifically. Lots of fiery language, a thoroughly physical performance and just sensational and gripping writing.

The brilliance of the actors who jumped with so much passion, energy, conviction instantaneously from one character to immediately and totally inhabit another as quick as flicking a page was breathtaking. Ellen Elizabeth Bailey, Emily Burton, Joe Klocek and Toby Martin were as committed a group of actors as one could imagine. Moments to cringe, moments to gasp, times to cry and oh so many times to laugh. The evening was magic. Daniel's script is simply outstanding, the actors are nothing short of brilliant, Jason Klarwein' s direction was inspired and gripping to the core and the lights and sound/composition scripted and managed to the millisecond by Daniel Anderson and Justin Harrison lifted the play to epic proportions across the vast space of the Bille Brown stage/floor in front of the huge graffiti mural and the face of Sophocles with his glowing eyes spread across the entire back wall. You just must go and see it. It is so bloody good you will cry if you do not. 
Of course after the really enlightening Q&A at the end of the show there was much shaking of hands, spilling of wine and general partying with the cast and creatives. I had a brilliant and fabulous time and thank everyone and the Queensland Theatre Company for mounting yet another local work pouring forth from the genius minds and talents of Brisbane theatre scene. And thanks to my most darling cousin Michelle Boyd who always takes my theatre whoring photos as I rush around hugging the talented.
Written by Daniel Evans
After: The Theban Plays by Sophocles
Duration: 1 hour 30 minutes | No interval
Director: Jason Klarwein
Designer: Jessica Ross
Lighting Designer: Daniel Anderson
Sound Designer: Justin Harrison
Dramaturg: Louise Gough


Cast Includes: Ellen Bailey, Emily Burton, Joe Klocek and Toby Martin



The earlier play by Daniel Evans 
'I Want to Know What Love Is'
September 2014

Based entirely on anonymous stories, I Want To Know What Love Is is a theatrical work made in response to the fragments of love, yearning and heartbreak submitted by the general public via the specially-built website wewantyourlove.com.

You are invited to bear witness to the love stories of strangers – some epic, others fleeting – as we ask some hard questions about the heart: What have you done for love? Is yours the greatest love story never told? Who, or what, do/did you love? Why? Is love science or poetry? What does love look/smell/taste like? What is the ultimate love song or lyric? Was there ever a time when love just wasn’t enough ...

I Want To Know What Love Is throws a spotlight on long-buried thoughts, stories, crushes and conquests as secret confessions are transformed into magnificent declarations centre stage. This is a celebration of the ordinary made extraordinary. This is for you. 
 A brilliant night at the theatre with both the legendary veteran actor Carol Burns and the young sensational Tom Cossettini blending some special magic amongst the thousands of Rose Petals that poured from everywhere. It made for a simple idea but quite lavish image.
Director: Daniel Evans
Designer: Kieran Swann
Cast Includes: Carol Burns, Tom Cossettini, Caroline Dunphy and Amy Ingram
Created and devised by: The Good Room (Daniel Evans & Amy Ingram) with Lauren Clelland, Caroline Dunphy & Kieran Swann
Lighting Designer: Jason Glenwright
Composer/Sound Designer: Lawrence English



My Bit
This is a link to the page on here of the little story of an interlude in Europe the title of which Daniel used in the play. I was so thrilled when I heard Tom Cossettini utter those words 'The Boy With The Green Umbrella' I made friends with both Tom and Daniel at a later stage and have met and thanked each for that thrill for me.
http://pepisymposium.blogspot.com.au/search?q=boy+with+the+green+umbrella

11 June 2013

Ancient Rites

Society is built largely on what we share in common and often this is expressed in the rituals that link our beliefs, power structures and interactions. Often a standard procedure or custom eases the way to easier understanding. There are usually reasons, like showing that you are unarmed by the simple practice of shaking hands, that are lost in the misty past and the complex rituals like a coronation are so steeped in ancient symbolism that few understand the meaning of the words, the implements or the movements .
My photo Madama Butterfly
It is possible however that ancient rites are not always worthy of respect. Cultures can be wrong and are not all to be preserved with some unfounded reverence. We must use reason to find out what to keep and what to change, but this logic, I guess, requires the acceptance of a considered first principle of undeniable truth. For me that first principle is 'Life is Precious'. All civilisations and generations develop, but I find many will patronisingly assume we today are smarter. No we are not. They had the same brain capacity, the same ability to love and display empathy. To me, most of the perceived crimes of the past are just as now, no more than the will and greed of the powerful. Little changes and utopia is still a dream.
There are several categories of ritual and rites. The ones I love are those with colour, pomp, ceremony, music and grandeur. I love a Royal wedding or a coronation, even a Papal event if it has great music and great costumes. They may not be necessarily essential to the happiness of the world, but generally no one gets slaughtered, the masses can cheer and wave and smile. However there are also darker rites, sexy rites, deathly rites. If there is a human expression there is probably a ritual involved somewhere. We live by following signpost. It is just that we have to decide which ones to take direction from.
Rituals, Rites, Ceremonies, Initiations.
The author Yukio Mishima portraying the ancient ritual Suppuku for a film, but later he ended his life this way and was simultaneously beheaded by his lover to complete the sacrifice. 
There is a difference between taking your own life voluntarily and taking that of another. A personal decision belongs to that person alone, but one can not make that decision about another.
Abraham about to stick a blade into Isaac is one of the more disturbing stories from that 2700 year old book, written by some patriarchal old men. So a god of love tells a bloodthirsty adulterer to go and kill his son. I have never understood this one. Obedience to the supposed word of God is one thing, but murder is another. Sounds like "I was just following orders" which didn't work at the Nuremberg trials and doesn't work for me. Didn't he have a brain to figure out this is just wrong. Note that although I mentioned it I am not objecting to his adultery only his murderous behaviour, because to me, sexuality is a wonderful part of nature, but violence is misshapen desire or action without disciplined conscious thought. This is a topic I have discussed a lot of late.
Then in another gross religious tale God himself decides to kill all the first born sons in Egypt at Passover. He seems to have spent a considerable time smiting those he created with fire and brimstone, floods, enslavement etc.. Indoctrination says 'He loves us all', but who needs 'love' as told in these stories. Once again I repeat myself by saying it all sounds like the vindictive imagination and distorted words of some men in a position of power who want to keep it that way.
Even more distressing is that these bloodthirsty tales are set as some sort of religiously pious example for us, whereas most will decry the Aztec human sacrifices or any other cultural and religious ceremony that requires that a god be appeased by the horrific death of a man, woman or child. I am not mollified by the fact that often they had to drug them before killing them. This is supposed to be merciful perhaps, but it is also a crime in itself. The taking away of someone's will and then life.
For good measure the crucifying of Jesus Christ is said to be that of the Almighty God willingly sacrificing his son for our good. 
What is it with all this religious killing of sons? 
How bloody insecure are these monstrous gods. As I said, it is more likely and to me logical, that a bunch of nasty old men created these stories to keep people in order and themselves in control.
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The world of ancient literature, fable, myths or history abounds with ritual that are not popular today. Some are too bloody, some are too sexy and and no doubt much of society frowns on such ceremonies because it is simply someone else's ritual and not their own. Xenophobia is alive and always lived comfortably in man's mind. It generally depends on where you were born, what if any religion you adhere to and what your cultural leaders dictate. It often is no more than what you are told to accept by a profit seeking, power obsessed, ill educated and amoral media run by a megalomaniac with a god complex and enough money to buy the power he or she desires.
Theseus & the Minotaur from MTK PROD 
In Greek ancient times as with the Egyptians it was religious rites that grew to create dance and the comedy and drama of theatre and the symbolism used for worship evolved into the transmission of beliefs, history and then stories. It is the image and sound of ritual that excites our imagination, sparks wonder and sinks into our soul. 
The Phallus
Just some random references relating to ritual and not a definitive discussion.
This below is an extract from my very first post on Theatre in 2010.
"Comedy on the other hand draws it’s name from the procession of revellers that accompanied the phallus in Dionysiac festivals and reflected the banter that was exchanged amongst them and also with the spectators. ‘komos’ means procession of revellers and the Greek for comedy is ‘komoidia’ or komos singing, i.e. of phallic songs. So comedy essentially means, in a crude modern idiom, ‘dick jokes’. The comic slaves also wore an accentuated padded phallus."
ARRETOS KURA - Butoh Performance from Dario Sajeva 
This video exemplifies some stylised rites and customs, the Symposium, achievement, family, sport, war and for me above all - beauty.
Museum of Cycladic Art - Everyday life in Ancient Greece 
Rites of Passage
As in ancient societies the rites of passage from boy to man, entry into a faith, progress to a society or group often involves even today an obsession with nudity and the symbol of maleness, the penis.
 Circumcision was practised by the Egyptians for entry into the class of scribe, the priesthood and for boys of class. This rite to manhood was practised way before a covenant with a Jewish god was written about. A ceremony sometimes performed on hundreds at a time was borrowed by other societies and also had health implication in the day and perhaps for aesthetics for some as well.
This is from my Father's WWII photographs when he was stationed in the north.
 Australian indigenous manhood initiation had a bunch of men throwing boys around and also making incision or paint marks in their naked flesh.
If one believes what one sees, in the States it seems to be a requirement that reaching higher education involves a lot of sexual display and supposed humiliation or hazing. The penis is always a symbol of achieving some rank or power. This is also prevalent in most military institutions around the globe. Although unconvincingly tut tutted by the media and the commanders, a soldier likes nothing better than displaying his manhood to his comrades or seeing the penis of his fellow soldiers or team mates. It is however an insult to my brain that people are often more horrified, scandalised or embarrassed by the sight of a penis than a bloodied corpse. What is more likely to create an indignant, vocal outcry, male genitals or a shattered body. Ever watch the news at dinner time??? The much touted 'moral majority' are immune to death, but horrified by sex. A parade (ritual again) of men with guns (killing weapons) is cheered but men kissing will often evoke anger, naked men in public will evoke derision and probably arrest. By all means stick a knife in someone for entertainment but god forbid you stick a penis in someone without shame. To me there is a misguided idea that still persists that inserting a penis is a display of dominance. Is it not simply a joining of body and hopefully soul? Aggression is dominance, inflicting pain is evil, deprivation of liberty is horrendous so examine the rituals of our society, the roots of their evolution and the relevance to a good life. Make some decisions.

I have read this over several times while editing and it is more than apparent that there is a bitter tone here and there. Yes it is true that frustration with media, religious, political and bigoted morality distresses me. I do not understand how people think in such ways. 
Just be nice to each other.

08 March 2012

The Olympic Games past, 2012 and future.

Well there will be and is so much about the Olympics on the internet that my token entries are not really required, however I thought I might start adding bits that appeal to me. I am not a great sporting person and in fact apart from a 4 yearly interest in the more aesthetic aspects of the competition I tend to avoid sport altogether. My personal career in sport involved being forced to participate when I was in school. I did win a swimming and running race once as I recall although I do have memories of stopping dead on the field when I noticed I was in front of all the other runners. I hated to stand out. I was also made a football team captain once, but my memory of that is the coach yelling at me "You're the captain, Tell them what to do!" to which stood still mid field, folded my arms and yelled back "I will not!". Then there was cricket and fielding I once picked up the ball threw it and it landed fifteen feet behind me. However there are some lovely and charming athletes worth noticing.
The beautiful gay Australian diving super champion
 Matthew Mitcham.
Born in 1988 here in Brisbane, my hometown. A local boy made good. Also he is to be commended for being the only openly gay winner at the 2008 games. In his final dive for the gold medal he scored 112.10 including 4 perfect 10's to receive the highest single dive score in Olympic history. He was also the first Australian to win that gold in 84 years.
Cute British champion diver Tom Daley knows he is sexy.

Leni Riefenstahl's Olympia
It was made as Nazi propaganda, but it is a huge masterpiece of cinema. 
The DVD is available and is stunning to watch.
A brief Olympic history taken from various sources.

Olympians photographed
Gregor Tait                              Grant Hacket                              Ian Thorpe 
Apolo Anton Ohno                            Evan Lysacek                               Phillips Idowu
Gymnast Stephen Gaudette was heading for the Olympics, but diverted to adult movies.
QEII the star of the show
For The Future
American Johnny Weir going for Winter Olympics 2014

06 August 2011

Ancient Male Lovers pre 1000 AD

Famous Male Love and Lovers pre 1000 AD
“Love is a desire of contracting friendship arising from the beauty of the object” Cicero

‘The mightiest kings have had their minions:
Great Alexander loved Hephaestion;
The conquering Hercules for Hylas wept;
And for Patroclus stern Achilles drooped;
And not kings only, but the wisest men:
The Roman Tully loved Octavius;
   Grave Socrates wild Alcibiades.’
From Christopher Marlowe’s Edward II
Sexual activity in ancient Greece, Rome and other places was generally guided by the concept of penetration of a superior over an inferior. Unlike today there was no concept of homosexuality or heterosexuality (these terms were invented in the nineteenth/twentieth century) and often no difference was seen in a man sleeping with a partner of the same or different sex. The allowances or prohibitions were guided in most part by who was active and who was passive and one’s age and status was the most important factor that described what role one could take. It was generally considered that a man would naturally be attracted to boys and women. As women had less status in most societies it was irrelevant if they enjoyed sex or not and the fact that she may enjoy being penetrated added to her perceived inferiority. It was a totally male dominated attitude and for instance, a slave or a prostitute of either sex was fair game and no constraints of morality were attached to such activity. In Greece, under certain guidelines, a free boy could be and was even encouraged to become the beloved, but in Rome a free boy could be wooed, but was forbidden to be penetrated because of his status, but the poor were available and male slaves were even bought specifically for that purpose. A boy (adolescent in modern terms) could succumb to the advances of a man from after puberty to the time he became a full adult. Where such relationships existed in Greece the boy in turn could also have a beloved as long as he was an inferior. The expected norm was that the adolescent Greek would be courted by many men and would choose one to be his lover. In early adulthood he would begin his own courting and winning the love of a deserving youth, and then he would take a wife and have children of his own. The dominant man could enjoy pleasure, but the boy who did not penetrate his lover was said to not be the one seeking pleasure and he was also to maintain dignity no matter if he became the beloved for reasons of true affection or social gain. It appears that the adult male was the only one who was permitted to claim enjoyment. The superior older male must never be penetrated and at times it was promoted even by themselves that their love was purely platonic, although Plato was alone in his disapproval. What happened in bed was private and should not be broadcast to all and sundry, but it was generally understood that sexual relations were full and were sometimes bragged about. There were cases of love and what we would call a gay relationship continuing into adulthood, but the hypocrisy of that time as well, was to deny that any male adult would allow himself to be penetrated and thus allow himself to be dominated. Homer was often vague, but hinted at the same sex encounters of Achilles. He was the most beautiful man of ancient Greece and most Greek academics of those times assumed his relationships with males to be sexual and he was described as the beloved of Patroclus although in other relationships he took on the role of the lover. Male beauty was much prised and contests of beauty were even institutionalised in the ancient world.
(summarised in part from the Oxford Classical Dictionary)
Plato was not so reticent about the sexual relationship between Achilles and Patroclus.
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Laius, the King of Thebes, was said to have been the first mortal to bring the practice of the love of youths to the Greeks, although some say it was King Minos of Crete. While he was still too young to rule, Laius fled Thebes to save his life, and sought refuge in Pisa. King Pelops, who was once Poseidons lover, welcomed him. When he reached manhood, Pelops entrusted his son, Chrysippus, ‘Golden Horse,’ to Laius to learn the charioteer’s art.  Laius did as he was asked, but fell in love with the beautiful youth and during the Nemean games, he kidnapped the boy and took him back to Thebes where he kept him, by force, as his beloved. The young man did not live long. Some say that he killed himself in shame for having been taken against his will, but others blame Pelops’ wife who burst into Laius’s bedchamber in the middle of the night, where both were sleeping and took his sword off the wall, and plunged it into the belly of his unwilling beloved. Laius was immediately accused of the deed, but Chrysippus had recognized her and with his last breath declared the king innocent. Nonetheless Laius was thrown in a dungeon for taking the boy without his consent, an offence which became known in all of Greece as “the crime of Laius.” Pelops gathered his army and marched against Thebes to recover his son but he found the king already imprisoned and his son dead. The father, though deeply aggrieved for having arrived too late, spared Laius’ life, recognizing that it was overwhelming desire that had driven him to abduct the boy. Nevertheless he put a curse on Laius. The god Apollo, protector of youths and boys, warned him well what would happen: “No son are you to have,” said Apollo’s oracle at Delphi to Laius when he came to inquire why his wife had borne him no children, “for if you do, that boy will kill his own father and sleep with his own mother.” But Laius, always driven by passion more than by reason, of course disobeyed, and payed the price with his life. And his son, Oedipus by name, paid more dearly still.

Cicero &Titus Atticus:
Marcus Tullius CiceroThe great Roman orator 106 BC -43 BC and Titus Pomponius Atticus, a wealthy book-seller from a notable Roman Family. He grew up in Athens and took name Atticus. Cicero's treatise on friendship, De Amicitia was dedicated to him.
Darius & Zopires:
King of Persia Darius II and his eunuch Zopires.
Aristogeiton & Harmodius:
Two devoted Athenian lovers. The young and beautiful Harmodius’ sister was insulted by the tyrant Hippias’ brother and co-ruler Hipparchus. Possibly provoked by Hipparchus sexual approaches to the youth. The lovers decided to kill him at the festival of Panathenaea in 514 B.C. They succeeded but both died and were honoured as martyrs. They have been credited with the overthrow of tyranny in Athens. However it was pride and jealousy not democracy which motivated them.
Castor & Pollux (Polydeuces):
The Spartan wrestler and boxer, sons of Leda; Castor to a mortal father and Polydeuces to Zeus . They were members of the Argonauts. Both were killed in battle but because of the love for one another Polydeuces refused heaven without his beloved brother, so  Zeus allowed them to alternate each day, one in heaven and one beneath the earth.
Gilgamesh & Enkidu:
Gilgamesh the Babylonian king (around 2,000-2,700 years BC) and Enkidu appear in the worlds oldest epic poem which relates the deeds of this devoted couple. Gilgamesh is so distraught at the death of Enkidu  that he journeys to the underworld in an attempt to retrieve his beloved.
Damon and Phintias: (also called Pithias)
Pythagoreans and devoted friends. Phintias was condemned to death under the tyrant Dionysius and allowed to put his affairs in order. Damon offered himself as victim in place of his friend if Phintias did not return. When he did return  Dionysius was impressed by their devotion, pardoned him and asked to be included in their brotherhood.
Epaminondas and Pelopidas:
Pelopidas, was born into a rich family of Thebes. He could never persuade Epaminondas to accept his charity, so Pelopidas stepped down to join him in his simple way of life. Pelopidas was interested in athletics, while Epaminondas preferred learning. They remained friends throughout their lives. Their affection started at a battle near Mantinea [384 B.C.], where Pelopidas was wounded seven times and fainted on a heap of dead men. Epaminondas stepped up to save him and his amor from the enemy, and alone, Epaminondas held off a crowd until help arrived to save them both. Pelopidas became the commander of  the Sacred Band, and Epaminondas was the commander-in-chief of the army.
Julius Caesar & Nicomedes:
When he was around 20 Julius was sent to Bithynia which was conquered by Alexander the Great, became an independent country and was given to Rome in 74 BCE. Bithynia was also the land where Antinous (lover of Emperor Hadrian) was born. Julius became the young lover of the King of Bithynia, Nicomedes IV -  94 BCE to 74 BCE. Later Julius also had a relationship with his young ambitious nephew Octavius later to become Emperor Augustus.
Euryalus & Nisus:
“These had one heart between them” Euryalus and “his heart’s love” Nisus, appear only in Virgil’s Aeneid, firstly as friends  in a footrace, leaders amongst all the contestants: “Euryalus famed for beauty and fresh youth, Nisus for the fair love he bore the boy. “Euryalus was modelled on Virgil’s own Alexis: “no comelier youth / Clave to Aeneus, or donned Trojan arms -  Whose smooth boy-face showed faint the budding man.” Nisus was a warrior, and both died in battle. Nisus threw himself upon the body of his lover.
Hercules & Hylas:
Hercules and his squire Hylas were members of the band of bold youths, the Argonauts, who with Jason  went in search of  the Golden Fleece. He had kidnapped the boy after killing his father and had loved him. At Mysia the beautiful youth went in search of water and the nymphs lured him into the pool, and he was never seen again. Hercules searched the woods for his lost love, crying his name and in some versions he left the Argo at this point.
Hercules & Iolaus:
Ioläus was the sixteen year old nephew and charioteer of Hercules, and his faithful companion. As the comrade of Hercules he was worshipped beside him  in Thebes, where the gymnasium was named after him.
“ And as to the loves of Hercules, it is difficult to record them because of their number; but those who think that Ioläus was one of them do to this day worship and honour him, and make their loved ones swear fidelity at his tomb”.…Plutarch.
Cleomachus & his lover
“ And you know of course how it was that Cleomachus, the Pharsalian, fell in battle.... When the war between the Eretrians and Chalcidians was at its height, Cleomachus had come to aid the latter with a Thessalian force; and the Chalcidian infantry seemed strong enough, but they had great difficulty in repelling the enemy’s cavalry. So they begged that high-souled hero, Cleomachus, to charge the Eretrian cavalry first. And he asked the youth he loved, who was by, if he would be a spectator of the fight, and he saying he would, and affectionately kissing him and putting his helmet on his head, Cleomachus, wlth a proud joy, put himself at the head of the bravest of the Thessalians, and charged the enemy’s cavalry with such impetuosity that he threw them into disorder and routed them; and the Eretrian infantry also fleeing in consequence, the Chalcidians won a splendid victory. However, Cleomachus got killed, and they show his tomb in the market place at Chalcis, over which a huge pillar stands to this day.” Plutarch
Chariton and Melanippus
“ But Hieronymus the peripatetic says that the loves of youths used to be much encouraged, for this reason, that the vigor of the young and their close agreement in comradeship have led to the overthrow of many a tyranny. For in the presence of his favorite a lover would rather endure anything than earn the name of coward; a thing which was proved in practice by the Sacred Band, established at Thebes under Epaminondas; as well as by the death of the Pisistratid, which was brought about  by Harmodius and Aristogeiton.” And at Agrigentum in Sicily the same was shown by the mutual love of Chariton and Melanippus-of whom Melanippus was the younger beloved, as Heraclides of Pontus tells in his Treatise on Love. For these two having been accused of plotting against Phalaris, and being put to torture in order to force them to betray their accomplices, not only did not tell, but even compelled Phalaris to such pity of their tortures that he released them with many words of praise. Whereupon Apollo, pleased at his conduct, granted to Phalaris a respite from death; and declared the same to the men who inquired of the Pythian priestess how they might best attack him. He also gave an oracular saying concerning Chariton. ‘ Blessed indeed was Chariton and Melanippus, Pioneers of Godhead, and of mortals the one most beloved.’ Deipnosophists of Athenaus
Orestes and Pylades:
Orestes and Pylades were bywords for faithful and life-long love in Greek culture. Their story is the purest of  friendships with  no existing evidence of how they relate to one another as separate persons rather than Pylades, the younger of the two,  being Orestes alter ego or brother. They were friends since childhood, and did much together, such as  killing  Clytemnestra,  mother of Orestes and Elektra. “ Phocis preserves from early times the memory of the union between Orestes and Pylades, who taking a god as witness of the passion between them, sailed through life together as though in one boat........ Lucian
Pausanias and Agathon:
Agathon was an Athenian dramatist (c. 450-400 BCE). He was famous as an effeminate homosexual. It was in his house that the Dinner Party of Plato’s Symposium took place. He was around 30 and Pausanias around 40 and were still lovers at the time of the Symposium.
Epaminondas and his comrades:
Epaminondas, the great Theban general and statesman, loved his young comrades Asopichus and Cephisodorus
Parmenides & Zeno:
Parmenides, the philosopher, whose life was held peculiarly holy, loved his pupil Zeno. “ Parmenides and Zeno came to Athens, he said, at the great Panathenaean festival; the former was, at the time of his visit, about 65 years old, very white with age, but well-favored. Zeno was nearly 40 years of age, of a noble figure and fair aspect; and in the days of his youth he was reported to have been beloved of Parmenides.”
Pheidias & Pantarkes:
Pheidias, the great sculptor, loved Pantarkes, a youth of Elis and winner of the boy's wrestling match and carved his portrait at the foot of the Olympian Zeus
Corydon & Alexis:
“ Corydon, keeper of cattle, once loved the fair lad Alexis;
But he, the delight of his master, permitted no hope to the shepherd.
Corydon, lovesick swain, went into the forest of beeches,
And there to the mountains and woods-the one relief of his passion
With useless effort outpoured the following art less complainings:
Alexis, barbarous youth, say, do not my mournful lays move thee ?
Showing me no compassion, thou’lt surely compel me to perish.
Even the cattle now seek after places both cool and shady;
Even the lizards green conceal themselves in the thorn-bush.
Thestylis, taking sweet herbs, such as garlic and thyme, for the reapers
Faint with the scorching noon, doth mash them and bray in a mortar.
Alone in the heat of the day am I left with the screaming cicalas,
While patients in tracking thy path, I ever pur sue thee, Beloved.”   Virgil
Philolaus & Diocles:
Philolaus was a lawgiver at Thebes and his lover Diocles was an Olympic Athlete. Aristotle relates the  story of how they were buried together, and says that the inhabitants point out the tomb. Contrary to many opinions, male homosexual relationships in Ancient Greece were not just a older Athenian aristocrats having crushes on boys in the gymnasia, but included lifelong partnerships.
Polemon & Krates:
They were followers of Plato about 300 B. C “ Krates and Polemon loved each other so well that they not only were occupied in life with the same work, but they almost drew breath simultaneously; and in death they shared the same grave. On account of which, Archesilaus, who visited them in company with Theophrastus (a pupil of Aristotle), spoke of them as gods, or survivors from the Golden Age.”
Socrates & Alcibiades:
“I am far more certain about it than you or anyone else can be that Alcibiades always got up from Socrates’ bed like a child leaving the bed of its parents. And indeed it was a strange place and time - in bed and by night - to contemplate that pure beauty which Socrates is said to have loved without any improper desire, especially since he loved the soul’s beauty rather than the body’s, though in boys and not in grown men, who happen to be wiser.”   Castiglione’s Book of the Courier
Socrates & Phaedo:
Socrates first met Phaedo in a house of ill-fame, according to Diogenes Laertius. Phaedo when a youth was taken prisoner in war, and sold to a slave dealer who earned money from him. A friend of Socrates bought him from his master, and he became one of the chief members of the Socratic circle. Socrates on the eve of his death stroked the beautiful long hair of Phaedo, and prophesied that he would soon have to cut it short in mourning for his teacher.”
Theseus & Pirithous:
Hercules attempted to free them from the rock to which they had been bound together in the underworld, but succeeded in  freeing only Theseus, and left behind his buttocks attached to the rocks. Theseus was referred to as hypolispos, meaning “with hinder parts rubbed smooth.” Theseus and Pirithous, swore oaths on their friendship, entering into a formal bond like heterosexual marriage. One of the oldest ways of taking this oath was to place their hands upon each other’s testicles, the origin of the terms testify and testimony. Another method of swearing friendship, (blood brothers) was wrestling followed by pressing together two thumbs which have been cut with a knife.
Anacreon & Bathyllus:
Several odes of Anacreon (B.C. 5 20) are addressed to his young friend Bathyllus.
“O boy, with virgin-glancing eye,
I call thee, but thou dost not hear;
Thou know’st not how my soul doth cry
For thee, its charioteer.”

Anacreon also wrote a poem about how he on a rainy night lets in a freezing boy and allows him to get warm by the fire. The boy, however, reveals himself to be Cupid and shoots an arrow into the heart of the old man. The poem and the relief are about how old people also know love and can fall in love.
The Sacred Band of Thebes:
The Sacred Band of three hundred  young lovers from Thebes. As a group cemented by friendship and love it was invincible. The lovers, ashamed to be base in sight of their beloved, would willingly rush into danger to help one another. The Theban lawgivers  deliberately gave great encouragement to these friendships  to soften the wildness of character of their youth. According to Aristotle lovers plighted their faith at Iolaus’s (Hercules lover) tomb thus leading to the reference to the Sacred Band.
“The beloved, when he is found in any disgraceful situation, will be pained at being detected by his lover. If there were only some way of contriving that a state or an army should be made up of lovers and their loves, they would be the very best governors of their own city, abstaining from all dishonour . . . For what lover would not choose rather to be seen by all mankind than by his beloved, either when abandoning his post or throwing away his arms. . . . Or who would desert his beloved or fail him in the hour of danger?”   Plato
“ And among you Thebans, Pemptides, is it not usual for the lover to give his boylove a complete suit of armour when he is  enrolled among the men ? And did not the erotic Pammenes change the disposition of the heavy-armed infantry, censuring Homer as knowing nothing about love, because he drew up the Achaeans in order of battle in tribes and clans, and did not put lover and love together, that so ‘ spear should be next to spear and helmet to helmet’, seeing that love is the only invincible general. For men in battle will leave in the lurch clansmen and friends, aye, and parents and sons, but what warrior ever broke through or charged through lover and love, seeing that when there is no necessity lovers frequently display their bravery and contempt of life.” Plutarch
The Lion of Chaironeia
They were finally beaten at the battle at Chaeronea: and when Philip, saw the band  lay dead together, he wondered, and understanding that it was the band of lovers, he shed tears and said, “Perish any man who suspects that these men either did or suffered anything that was base.”  The marble funerary monument which marked the communal grave of the Sacred Band of Thebans that was crushed (338 B.C.) in the battle with Philip B´ of Macedonia. It was discovered in 1818 in pieces and was restored on a plinth 3 m. high.
David & Jonathan:
“After the boy had gone, David got up from the south side of the stone and bowed down before Jonathan three times, with his  face to the ground. Then they kissed each other and wept together—but David wept the most. Jonathan said to David, ‘Go in peace, for we have sworn friendship with each other in the name of the LORD.”
David’s Lament for Jonathan - Peter Abelard 1079 -1142
“Low in thy grave with thee
Happy to lie,
Since there’s no greater thing left Love to do;
And to live after thee
Is but to die,
For with but half a soul what can Life do?
So share thy victory,
Or else thy grave,
Either to rescue thee, or with thee lie:
Ending that life for thee,
That thou didst save,
So Death that sundereth might bring more nigh.
Peace, O my stricken lute!
Thy strings are sleeping.
Would that my heart could still
Its bitter weeping! “

See elsewhere on this site for pages with famous love including
 Alexander the Great & Hephaestion:
  Antinous & Hadrian:
  Akhenaten & Smenkhare: 
Achilles $ Patroclus
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